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fuckyeahkarenolivo:

Karen Olivo and Lisa Nicole Carson performing Fun.’s Some Nights in the season finale of Harry’s Law. Episode airs this Sunday, 8/7c on NBC.

(via mysweetcupoftea)

As [director] Lonny Price always says to me, Musicals have to be ‘north of the floor.’ The reason people sing must be larger than life. Musicals have to raise you up, there’s an emotional lift they have to bring you. You have to say, Yes, this sings. This is a musical. People give me stuff all the time and say, ‘I want to make a musical out of this.’ Most of the time, I don’t agree. I’m always saying ‘Metaphor, metaphor!’ The lyrics aren’t ‘Look how old we are,’ the lyric is ‘Send in the clowns.’ Imagery that illuminates a character in a wonderful way — imagery you can sing. It’s ‘defying gravity’ not ‘I’m hoping I can fly and can get off the ground.’ I hate the expression ‘a hook,’ but … It’s not a hook, it’s a metaphor. Something poetic that takes the emotional state of the character and lifts it into song.
– Robyn Goodman, producer (‘Avenue Q,’ the upcoming reimagining of Rodgers and Hammerstein’s ‘Cinderella’)

(Source: vulture.com, via dumloud)

fun. – Call Me Maybe (cover)
[Flash 9 is required to listen to audio.]

fun. | Call Me Maybe (cover)

(Source: sherrice, via yellowraincoats)

samaralex:

“I feel really lucky, although I hate that word — ‘lucky.’  It cheapens a lot of hard work.  Living in Brooklyn in an apartment without any heat and paying for dinner at the bodega with dimes — I don’t think I felt myself lucky back then. Doing plays for 50 bucks and trying to be true to myself as an” — here he put on a faux snooty voice — “artist and turning down commercials where they wanted a leprechaun. Saying I was lucky negates the hard work I put in and spits on that guy who’s freezing his ass off back in Brooklyn.”

samaralex:

“I feel really lucky, although I hate that word — ‘lucky.’  It cheapens a lot of hard work.  Living in Brooklyn in an apartment without any heat and paying for dinner at the bodega with dimes — I don’t think I felt myself lucky back then. Doing plays for 50 bucks and trying to be true to myself as an” — here he put on a faux snooty voice — “artist and turning down commercials where they wanted a leprechaun. Saying I was lucky negates the hard work I put in and spits on that guy who’s freezing his ass off back in Brooklyn.”

(via retronoisette)

motherflippin-rhymenoceros:

“this Panera/ Panem confusion run is one of your best.” -Mindy Kaling 

[Flash 10 is required to watch video]

fuckyeahkarenolivo:

Karen Olivo and Lisa Nicole Carson performing Fun.’s Some Nights in the season finale of Harry’s Law. Episode airs this Sunday, 8/7c on NBC.

(via mysweetcupoftea)

mayramacabre:

Merman Dave!

mayramacabre:

Merman Dave!

As [director] Lonny Price always says to me, Musicals have to be ‘north of the floor.’ The reason people sing must be larger than life. Musicals have to raise you up, there’s an emotional lift they have to bring you. You have to say, Yes, this sings. This is a musical. People give me stuff all the time and say, ‘I want to make a musical out of this.’ Most of the time, I don’t agree. I’m always saying ‘Metaphor, metaphor!’ The lyrics aren’t ‘Look how old we are,’ the lyric is ‘Send in the clowns.’ Imagery that illuminates a character in a wonderful way — imagery you can sing. It’s ‘defying gravity’ not ‘I’m hoping I can fly and can get off the ground.’ I hate the expression ‘a hook,’ but … It’s not a hook, it’s a metaphor. Something poetic that takes the emotional state of the character and lifts it into song.
– Robyn Goodman, producer (‘Avenue Q,’ the upcoming reimagining of Rodgers and Hammerstein’s ‘Cinderella’)

(Source: vulture.com, via dumloud)

samaralex:

“I feel really lucky, although I hate that word — ‘lucky.’  It cheapens a lot of hard work.  Living in Brooklyn in an apartment without any heat and paying for dinner at the bodega with dimes — I don’t think I felt myself lucky back then. Doing plays for 50 bucks and trying to be true to myself as an” — here he put on a faux snooty voice — “artist and turning down commercials where they wanted a leprechaun. Saying I was lucky negates the hard work I put in and spits on that guy who’s freezing his ass off back in Brooklyn.”

samaralex:

“I feel really lucky, although I hate that word — ‘lucky.’  It cheapens a lot of hard work.  Living in Brooklyn in an apartment without any heat and paying for dinner at the bodega with dimes — I don’t think I felt myself lucky back then. Doing plays for 50 bucks and trying to be true to myself as an” — here he put on a faux snooty voice — “artist and turning down commercials where they wanted a leprechaun. Saying I was lucky negates the hard work I put in and spits on that guy who’s freezing his ass off back in Brooklyn.”

(via retronoisette)

motherflippin-rhymenoceros:

“this Panera/ Panem confusion run is one of your best.” -Mindy Kaling 

"As [director] Lonny Price always says to me, Musicals have to be ‘north of the floor.’ The reason people sing must be larger than life. Musicals have to raise you up, there’s an emotional lift they have to bring you. You have to say, Yes, this sings. This is a musical. People give me stuff all the time and say, ‘I want to make a musical out of this.’ Most of the time, I don’t agree. I’m always saying ‘Metaphor, metaphor!’ The lyrics aren’t ‘Look how old we are,’ the lyric is ‘Send in the clowns.’ Imagery that illuminates a character in a wonderful way — imagery you can sing. It’s ‘defying gravity’ not ‘I’m hoping I can fly and can get off the ground.’ I hate the expression ‘a hook,’ but … It’s not a hook, it’s a metaphor. Something poetic that takes the emotional state of the character and lifts it into song."
fun. – Call Me Maybe (cover)

fun. | Call Me Maybe (cover)

(Source: sherrice, via yellowraincoats)

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